![]() The album’s 10 songs are titled with reference to historic, mind-altering drugs and animals that, in Carlson’s own words, “people have always held superstitious beliefs towards”, and it’s in this timeless, countercultural frame-of-mind that Carlson really comes into his own. The album offers deep insight into Resolute's style which focus's specifically on the experiences that makes him the unique, yet balanced individual he is. At the album’s midnight, ’She Rides an Air of Malevolence’ then parts to the nocturnal solitude of ‘Maiden’s Catafalque’, but there’s a glimmer of hope cracking over distant mountaintops in ‘The Mandrake’s Hymn’, that ultimately follows with the resolute but resigned summation of ‘A Wretched Country of Dusk’. 6 USD or more Send as Gift about The Last Horizon's specially crafted soundscape captures the essence that Resolute embodies. In the first half ‘Datura’s Crimson Veil’ gives way to the sky-searching axe calligraphy of ‘Exaltation of Larks’ and comes down to bruxist grind of ‘The Colour of Poison’ and unpredictable turns of phrase and lacunæ in ‘Descending Belladonna’. Two durational highlights really set the scene at the album’s dawn and midnight, where he really rinses every last bit of distorted twang from his guitar, and both cuts act as gathering/diffusion of energies for what’s to come. Like a time-travelling bard who’s somehow seen it all, from the ravages of the American civil war to the darkest side of contemporary rock culture, Carlson’s expressively detuned licks regale heavily accented, instrumental stories of life and death and the liminal spaces between, and most crucially with the labouring quality of a resident act who plays five-nights-a-week in a dusty saloon. The album’s 10 songs are titled with reference to historic, mind-altering drugs and animals that, in Carlson’s own words, “people have always held superstitious beliefs towards”, and it’s in this timeless, countercultural frame-of-mind that Carlson really comes into his own. Resolute The Last Horizon (2014) Resolute The Last Horizon (2014) 1. Still geologic in pace, their 1000 yard stare is here as transfixing and strung out as their early “ambient metal” classics, but of course with the addition of Adrienne’s workhorse drums underlining and urging Carlson to drag every riff out to the horizon. Dylan Carlson and Adrienne Davies return Earth to its fundamental state - raw, slow burning and sensually psychedelic - in the “witches garden” of ‘Full Upon Her Burning Lips?’, their 9th studio album marking 30 years since the band’s formationĭoing away with the increased polish of Earth’s albums since they returned with 2005’s ‘Hex Or Printing In The Infernal Method’, the singular band now prize a more direct route to the core of their sound.
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